Beach Writing Challenge Days 5 and 6 — Meeting with Friends, Risking it a Bit, and More Writing

16th of July, 2018

Click here for the previous day’s post.

So, continuing with my Beach Writing Challenge, after a healthy writing sprint of 4 continuous days and crossing the 23,000 word mark, I took a break on this day. Just chilled out, walked around the Mapusa market a bit, ate, and did nothing. Let’s count this one as my holiday then!

Statistics so far:

Day 1 total – 6500 words

Day 2 total – 13000 words

Day 3 total – 20000 words

Day 4 total – 23000 words


17th of July, 2018

This was my 5th day of writing then. The word count right now is 23000 words and 4 days have elapsed. I am nowhere near my halfway mark (which should be at least 37500 words). The scenes that I write are so exhausting that I need to take a break after every two or three scenes. Now that’s an unanticipated problem. Well, at least, because I have thought of the story beforehand, I do not face the dreaded scourge of the ‘writer’s block’.

The Progress

Started out with a nice in-hotel breakfast of poached eggs. Loved the way they made it. The eggs weren’t too runny and though the yolks could have been a bit softer, these will do quite well. Tipped it up with ginger tea. Great mind stimulators for a long writing day ahead.

The Writing and the Story (Some Advice too!)

Then back to the hotel room and more writing. No distractions today. Wrote up quite breezily until lunchtime. Put in around 5 chapters, which is a biggie.

Our poor Devika is now in the thick of things. She has come to this house with a completely blank slate, for her memory is lost, and she is falling for the young doctor who has brought her into the house, Dr. Sumit Vishwakarma. Their romance is brewing, but at the same time, weird things are also happening in the house. Balancing the story between a blooming romance and nightly haunting is turning out to be a great narrative structure. Also, since the story is told from different POVs (we get to hear from both Devika and Sumit and even other characters when needed), there’s a lot of variety.

Pro-tip: Multiple POVs add variety to the writing and makes the reader sample different characters. Advisable if your story spans a large spectrum.

The Rest of the Day

Lunch was a brilliant prawns thali at a place called Flying Fish off Mapusa market. Wonderful fare at a dirt-cheap rate. Do check out the pic, and if you are here the next time, go to Flying Fish with all my recommendation.

Returned to the hotel room and back to writing. Only took breaks for a cup of tea in the evening (called it to my hotel room) and for dinner had some Goan specialties that I got from the market. One piece of batk was enough to fill an entire dinner for me.

More writing till late night brought my word count to 32000, which makes this day my most productive day so far. And also explains why there are not many pics!


18th of July, 2018

I was quite looking forward to this day because there was a plan to meet with fellow-authors in Goa. Authors have this thing; when they go to another city, they scope out other authors there and plan a meet. It’s almost an unspoken rule. And if those other authors are also friends, then it’s an icing on the cake.

The Mini Authors’ Meet

Four of us met at a lovely eatery called Cluck Tales in Panjim. It’s right across the Panjim Market and pretty famous. We managed to get a cozy table on the mezzanine floor and really had a go with our chats and plans for future events.

In the picture are (from left to right), Charmaine DeSouza Fernandes who is writing her first book and is a winner of the Readify Author Hunt and also quite a popular animal activist, myself, Uttam Kumar who is a social worker and has also written a book titled First Job and 10 Mistakes, and Rohan Govenkar who is an author of two books titled 1000 Kilograms of Goa and Oh My Goddess and a very popular Goan personality.

 

We talked about Rohan’s recent trip to Russia for the FIFA matches, Charmaine’s and Rohan’s visits to some of the spookiest places in Goa, and Uttam Kumar’s observations on society at large, which were quite the treat. We also spoke about having a bigger event in Goa to bring the local literary community together, on which details will be put up soon. Now that’s what I call an enriching meeting. Likeminded people getting together and trying to give something back. Rohan also gifted us copies of his books!

And since I always mention food, mine was a wiener schnitzel with beer! (sorry, didn’t get pics of the food). A shout-out to Vasco, the owner of Cluck Tales, for the good food.

Roaming Around in Panjim

Panjim is called the most walkable city in India. No, I don’t have any citation for this, but I have heard it said. And, of course, I have the experience. The city is quite clean and uncluttered and there’s no traffic on most routes, and then there’s this cool breeze blowing in that keeps you walking. I walked for about an hour through the various spots.

Here’s my pic of the Panjim Market. Have always loved the Mario Miranda murals on the walls.

Walked around to Our Lady of Immaculate Conception church, the popular church with the white exterior and beautiful steps, spent a few minutes at the Jardim Garcia de Orta, came to Fountainhas, and then got back. My story was calling!

Our Lady of Immaculate Conception Church, Panjim
Jardim Garcia de Orta, Panjim

The Writing

Wrote a few scenes without any distraction until evening. I knew this day wasn’t going to be much fruitful writing-wise, and it wasn’t. Something else was coming up! A casino visit! A friend had invited me to one of Goa’s most popular floating casinos, and I saw myself going to Panjim again and was there then till the wee hours of morning trying to test my luck. Don’t ask me how that went!

Progress at the end of day = 35000 words in total.

One more day left technically. How will I finish?

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Authors on Social Media — 5 Ways Authors Antagonize Social Media

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All right, so at the very outset, I will say that this is going to be an unpopular post. It is possible that a bunch of you might unfollow me after reading this one, but let me put up a disclaimer. Whatever I say in here is out of my observations and interactions on social media. Which means to say, even I have committed the mistakes mentioned below, but then there’s always a time to learn and live on, right?

Now after seeing authors on social media for several years now, I have observed this: The majority of authors use social media for one of two things (and usually just these two things, which is the sadder part) — (1) propaganda of their works (2) ranting about their pet peeves. Look at your author friends on social media. Chances are that a high percentage of them come alive on those posts only when they have to do one of these two things, otherwise they are totally absent. And if you are an author who is doing things apart from these—constructive things—then we need to doff our hats at you.

Why is this bad, though? Let me enlist it in a way that it becomes more readable.

Most authors will excessively promote their works.

Definitely not recommended. Typically, one post when your book is launched and then follow-up posts whenever your book makes some kind of achievement is good enough. If authors are going to make a post every day about their book in the hope that someone will like, comment, or share, let alone buy the product, then that’s a horrible way to go about promotion. The best case scenario here is that your followers are going to be frustrated looking at your excessive post with the same cover page (of course you cannot change that, can you?) and they are simply going to scroll down. The worst case is that they will unfollow you, and there it goes—a prime example of counter-marketing.

We authors have to trust that our readers have good recall value. They know that we have authored that particular book. It is not necessary to post the cover page at every given opportunity. Sadly, most authors fail to understand the point that book marketing has to be classy.

Most authors will form close-knit communities and stay only in those.

Oh, this does happen. Hang around a bit on social media in writers’ groups and you will see how authors tend to band with each other. They won’t label themselves or name themselves, but they will definitely flock together. You will see them liking, commenting on, and sharing each other’s posts but no other posts at all. You will see them coming out in support of one of them to the point of undeserved raving. You will also see them blindly praising each other’s books in the hope (sometimes there are also unwritten rules) that their book will also be praised by the others when the time comes.

I am not saying that this is totally a bad thing. Author groups help. I have been a part of many too. All I am saying is that the authors who are part of one group should not stay in only that group but also be friendly towards other groups. Why make it so obvious that you are trying hard to promote only yourself and others in your community? Does it harm you in any way to respond to posts from other people too, especially if they are saying the same thing that your community is saying?

A time comes when these communities go out of control or simply get defunct. They all will. Law of nature. And when they do, it will become difficult for the authors concerned because a lot of things will need to be done from scratch, like rebuilding visibility outside the community.

Most authors will rant about their pet peeves (and nothing else).

Some of the best authors we know, some of the biggest award-winners in the literary world, have been reduced to being whiners. And that is sad. It is pathetic to see post after post from good authors speaking only of one thing, and that is the thing that they hate. It might be a valid issue that there are voicing against, but if the author goes on and on about that in one post after another, it becomes oh-so-annoying.

Trust me, even the best of authors lose respect that way. This is one of the surest ways to turn those likes into dislikes. Our readers might be aligned to our thoughts, but when we go on a continuous tirade, even they will be put off.

We cannot help it though, because most of us are hard-headed opinionated pricks whom we ourselves would not like to get into a conversation with. But that’s the sad part. We authors have the potential to change the thinking of society and veer it towards a positive direction. We have to do it constructively though, and not by coming across as a ranting crybaby. Our words are effective. Our poems can stir hearts. Those are the tools we must employ, maximum impact in minimal words.

Most authors will abuse the freedom social media gives them.

A lot of us are culpable of this, including yours truly. We go on and post just about anything on social media. Just because we have this freedom of sharing things at the click of a button, we go ahead and do just that. We don’t stop to think anymore. That post might be badly-constructed, show us in a poor light, be detrimental to our reputation, but we hardly stop to think about it and go trigger-happy with the posting.

Just think about it. Orwell, Dickens, Hemingway, and all—how would it have been if they had social media at their time? How would it have been if they posted their half-baked poems and prose too? Would their readers have followed them with the same conviction, and would these authors have been classics today? I am sure Shakespeare would have ranted on social media and so also Dickens. That would have blunted their edge. The reason why our classic authors and poets are classics today is because they were selective about the things they put out in public. Not to say they had a choice otherwise, but they were selective anyway. We saw only the best of them, and that’s why we revere them.

Most authors won’t “talk with” people but “talk to” them.

There’s a difference between ‘talking to’ and ‘talking with’ someone. When you talk to someone, you are only telling them your thoughts and not listening to them. In short, you are being condescending. People comment on your posts, but many of us are not listening to them. We are only telling them what we feel, over and over again, and not even entertaining the thought that they might be reasonable too.

The thing we need to do is ‘talk with’ our people on social media. Social media is all about interaction. When someone comments, we have to talk with them, maybe take the conversation ahead, and sometimes when there’s reason, begin to see things a different way. Well, that’s what I believe social media is—a place of learning. It is not just a place of teaching as a lot of us authors tend to believe it is.

And this applies to posts from other people too. Sadly, very few authors will comment on other people’s posts. Maybe there’s always this unspoken elitist feeling going on. But then that’s again ‘talking to’, right? It is a very selfish way to use social media if you only expect people to interact on your posts and you turn a blind eye to theirs even if they have written something that makes sense.

So, that’s it. These were some things I really wanted to say since a long time, and I did it now. Feels better, because now I can also “listen to” the mistakes I have been making and can improve on them.

Ciao!

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Writers, Don’t Let Yourselves Be Shortchanged

 

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This is an open letter to all my author and writer friends, all over the world, who hope that one day their writings might be translated into film. Consider it as an outpouring of feelings rather than a letter. For, someone really had to say what I am saying here.

In all my days as a writer, and now as a short film producer as well, I have seen no part of the creative crew of the film being shortchanged as much as the writers are. This is thoroughly appalling because the writer is the person where the entire thing starts from.

Think about the biggest, hugest, most classic film that you know. Probably having the largest star-cast and a really, really big name director. One that has won several awards all over the world. Now, that film, that spectacle of splendor, would not have happened if a writer would not have bled his or her eyes out to create the story in the first place. It is the writer – the slightly potbellied crouched being on the computer desk, the one with the disheveled hair, the one whom family and friends look upon with strange curiosity, the one who’s probably addicted to coffee and a few undesirable things, the social introvert, the shy, soft-spoken person who is only too happy to take backstage everywhere – who has given birth to this grand spectacle.

Most grand creations of art, regardless of how much finance it requires to make or how much revenue it earns at the end of the day, begins in a small café or a similar place somewhere, where a writer turns up coyly, probably worrying about how to pay for an extra cappuccino if it is ordered, and has a “meeting” with someone better-placed than he or she is. Of course, some writers hit the bulls-eye, and then work comes chasing them, but these are few and far in between. And even then, these successful writers will never claim that they have received their fair due in the industry that’s all about translating their creations on screen.

If you think genius has a better standing in this industry, think twice. Most of the greatest writers of our times have died in penury, some of them without any relations or even friends to attend their last rites. Yes, some of them won awards posthumously, but in a few cases there was no one to claim those awards. I personally saw this at a writers’ conclave last month, where one of the greatest Hindi cinema’s songwriters was given a posthumous award, where there was no one to collect it for him.

So, why am I ranting here? My rant is targeted at the mechanics of an industry that places its actors and probably directors at a much higher pedestal than the writers who give these people the grist to work with. Most of the actors I have personally met vouch for the fact that the actor’s job is the easiest on a film set. And yet, it is always the actors who walk away with all glory. Even with beautifully written songs in Hindi cinema, not many people except film-buffs will really know who wrote the songs. The songs are always identified, even on music channels, by the name of the actors. So, we have classifications as ‘Rajesh Khanna songs’ and ‘Dev Anand songs’ and ‘Shah Rukh Khan songs’, but ask people who wrote these songs, and you will be shocked. Probably you don’t know it yourself.

Why should writers be shortchanged in this manner? Why should they not get their due compensation and credit? When they are the creators of the art, why are they relegated to the backseat, or sometimes even shoved in the bonnet? Why can’t there be a concept of show-runners here as has already become popular in the West?

It is sadly because, like the fabled Shekhchilli, the writers are cutting the very branches of the tree that they are sitting on. Every time a writer gets shortchanged, he or she paves the way for a hundred more writers to be shortchanged. It gives production houses the gumption to try their nefarious tricks with other writers as well.

As a writer, I had a sad and deplorable experience when someone told me they could buy “stock” writers off social media groups for their content needs. Are writers so dispensable? A media house that can invest 10 million rupees on a show balks when it has to pay a fraction of that to the writer based on whose work it will be created?

Disgusting!

Writers, stand up for your rights. Be cognizant of how the Western world respects its writers. There’s no fairness there as well, but the situation is a tad bit better than it is here. In our starry-eyed film industry, writers are given the weakest spot. Their ideas are copied spinelessly and when they protest their faces are blackened. It only happens because we are spineless ourselves.

Ask for your credits. Make sure you are mentioned the way you want to be. Ask for adequate monetary compensation – whether it is in terms of royalties, upfront payment, or profit-sharing. Understand which model suits you best. Be part of film writing associations because they will work for you when needed. And, most importantly, do not let anyone take you for a ride. Everyone on the film set has work because you wrote it, even the production houses who might put money into your vision. They will only do it because they have faith in it.

Let us stand up and claim our dignity in this industry.

 

How to Write an Effective Edge-of-the-Seat Thriller

I was recently at a writing seminar where a popular author shared his tips for churning out nail-biting thrillers. I was happy to note that most of the things he said were in accordance with my own ideas, and which I have already followed in my book Maya’s New Husband. Now, people who know me will corroborate with this — if I stumble upon something interesting, I want to share it with others. In this case, I decided to share these writing tricks, tips or whatever you might want to call it, with my fellow authors and aspiring writers.