The Dhoklu Series (Episode 2)

RECAP (loosely translated for my Hindi-speaking friends as: Phir se topi pehnana)

(Read Episode One: Nipped in the Literary Bud here.)

In the previous episode, we saw how Dhoklu’s mother kindled (a beautiful word, BTW – Dhoklu is going to learn so much more about the word ‘kindle’ in the near future, and… so many meanings of it!) a spark of literary aspirations in his little mind. We saw how Dhoklu’s teachers and Education Board murdered those very dreams before they started (for references, look at anyone educated in your vicinity, even yourself – 99 in 100 people are doing anything but what their “education” taught them). Then we saw how Dhoklu finally revealed his aspirations to his father who immediately jingled his cash-filled deep kurta pockets and told him to go ahead and make it large.

 

Let’s see now how large.

Episode 2

Licked in the Literary Nuts

(Written by Neil D’Silva)

After duly searching and researching on what ‘vanity publishing’ means, Dhoklu sat down for a breather. His dad asked him about it, and Dhoklu, like the learned man he was now told him – “Papa, paisa aapvanu chhe ane publish thai jashe!”  (“Papa, we have to pay money and I will be published!”)

Papa heard ‘paisa’ and sat down. This was a part he was proficient with. There was a flurry of questions such as ‘ketla paisa’, ‘kone aapva padshe’, ‘returns ketla malshe’ (‘how much money’, ‘whom to pay the money to’, ‘what will be the returns’) and about a dozen more in the same vein, and when it was finally and fully appropriated (through highly optimistic projections) that for every 1 rupee investment there could be a return of 10000 rupees, Ranchhodbhai called up the downstairs Sankalp Pure Ghee Mithai Shop for half-a-kilo kaju katri and another half motichoor laddu.

Dhoklu thanked his lucky stars that his father had not yet asked him about which book he was planning to write. Or about its subject. Or about its characters. Or even the title. So far, Dhoklu was in safe zone. Very safe zone.

The Publisher

Next day, between 10:37 and 10:55 in the morning, Dhoklu was busy on a call. His mother duly shushed the children playing cricket on the street outside, and shouted with as loud a whisper as she could manage, “Dhoklu na Delhi thi call aiwa chhe! Chhup raho!”  (“Dhoklu has received a call from Delhi! Keep quiet!”) After making sure that the neighbors had heard her whisper, she shut the window pane.

So, Dhoklu kept the phone down and the next moment, his family gathered around him. Like a man possessed with a dream that’s turning into reality, Dhoklu announced that the call was from Delhi (where else!). Actually, 113 km away from proper Delhi, but who cares for such stuff? It was a vanity publisher, who insisted on being called self publisher. He told everything that Dhoklu needed to do (except the part about writing the book, of course!) There was clear business talk about how Dhoklu would have to buy back 500 copies of his own book once they were published.

Ranchhodbhai interrupted at that point. 500 x 120 = 60000. “Rupya ne? Dollar to nathi?”  No. It was not doh-lar as he had pronounced it. Then that was perfect. 60000 was less than what he had spent on feeding his entire family and their families Gujarati thalis from Maharaja Bhog on his eldest daughter’s son’s first birthday. And then treated them en masse to a show of Bajrangi Bhaijaan (most people’s sixth viewing), where the ladies sat together in the front four rows, and the men in all the comfortable back rows. This publishing thing was definitely doable. He patted his grown son’s back like a man possessed.

So, father and son deliberated for a good three hours on which publisher to contact. They went through the websites given to them by Google Baba, and finally father and son zeroed in upon one of them. Ranchhodbhai drove this decision mostly based on the fact that the homepage had the pictures of the right gods and the directors of the company had the right surnames.

The next day, the contract came on email. Dhoklu was very happy on seeing the contract, because it was about ten flimsy points on a green page, that did not even come up to half the page. The title was a blank line for now, which suited Dhoklu all the more! And the language was something Dhoklu could understand very well. It was definitely not the complex and show-offy kind he had read in The Adventures of Tom Sawyer when in school. This was so simple to grasp – “Auther does not lays claims to His books fr nxt 10 Yrs.”

Ranchhodbhai whooped with joy again. “Royalty!” he jumped. Royalty lakha chhe! Dhoklu, tu to Raja bani gaya re!” (“Royalty is written! Dhoklu, you have become a king!”)

The next day, the entire extended family went to the post office to courier the contract, speed post no less. Firecrackers were burst on the road, and children danced on the Gujarati dubs of Bahubali songs. The womenfolk stood suitably 60 meters away from the menfolk, and everyone gossiped about how Dhoklu was embarking on something that no one had done before.

Dhoklu thanked his lucky stars no one had yet asked him his book’s title.

Dhoklu’s Friends

Now that the news was out that Dhoklu was writing the next bestseller (a word that had gained a lot of currency in that village overnight), the friends – all boys, of course – started pouring in one by one. Dhoklu’s mother had almost permanently positioned herself at the door so that the friends could suitably touch her feet before moving inside.

Every friend came armed with suitable praise – one comment each, and one for backup in case someone else used that one before them. This was quite a difficult task though, because Dhoklu had never been a popular student, and people did not know what to really say to him or about him. So, by the end of the samosa-and-Fanta filled day, Dhoklu was left with comments like, “Dhoklu is so observant! Now I know why he used to keep staring at the girls’ section in the class all the time,” and “Dhoklu has always been a man of words and not of action – remember the time you said you’d come with me to talk to Bhavani Mam and never showed up?”

Meanwhile, Ranchhodbhai had positioned himself by the window with the phone. The 31.30 minute call was to Taarakbhai, and there was definitely a purpose. The purpose was in the form of Ankita, Taarakbhai’s daughter who probably was of marriageable age now. Or maybe a little less, who cares? Hopefully she had returned from wherever in London she had gone for whatever studies she wanted to do.

Studies! Bah! These girls of today…

Come back tomorrow when we continue Dhoklu’s saga. Read about Dhoklu’s new Apple computer and broadband Internet connection on which he discovers the greatest resource for writers there can ever be – Facebook.

After

After NaNoWriMo… What?

After

I was pointedly asked this question today and I felt it apt to speak about it in a blog post so that more people could read my thoughts.

I released my first NaNoWriMo winning novel, Maya’s New Husband, on Amazon Kindle in January 2015. Since then the journey has been fabulous. I feel I do have something of value to add to the question asked to me.

First and foremost, NaNoWriMo is more of a motivational community, or an organization if you might say that. It is a community of supercharged writers (well, not all of them, but most of them are) and they come together to write a novel of their own in the month of November.

The NaNoWriMo challenge is to write 50,000 words in the month of November. If you manage to do that, then you are through. You get the certificate and you can flaunt it to all and sundry.

But, are you ready to release your book yet? No! Definitely not! That’s where it gets a big hazy.

There are people who have not yet published their NaNoWriMo winning drafts that they had written half a decade ago. There could be a host of reasons for that, but if you wish to be a published writer and want to use NaNoWriMo to get that all-important start, then these are the things that you should take care of.

Things to Do after Your NaNoWriMo Month

  1. First and foremost, remember that NaNoWriMo does not write your book. You write it. NaNoWriMo is not responsible for completing your book, much less getting a good book out of you. All those are your responsibilities. Treat NaNoWriMo only as a tool, an aid, to help you get that manuscript out of your head and on paper. If you win it, it plays no more role than that of a doctor helping a woman give birth to her child. That’s it. Nurturing the child is not the doctor’s responsibility.
  2. The second thing is that your novel may not be finished at 50,000 words. So you might need to go beyond the NaNoWriMo month and complete your first draft.
  3. If you win your NaNoWriMo certificate, then along with it, you will get a host of sponsored writing aids at low cost, mostly software, which could help you complete and organize your manuscript. You could make use of that. (I personally didn’t).
  4. When your draft is complete, go back and check it once again. Read it from the start. Weed out all typos and grammatical issues. Tighten up your story. In effect, self-edit your book.
  5. Once that is done, send it to someone you trust who could read it for you and give feedback on it. Do not be stingy about sharing your manuscript and definitely do not be paranoid about someone stealing it. We always value our stories a zillion times more than anyone else does it. These are your beta readers. Once their feedback comes in, use their inputs to make your story better. You need not accept all suggestions, and you definitely shouldn’t, but this gives you an idea about what’s working and what’s not in your story.
  6. Now, send the story to a professional editor. Remember, this is a vital step. You might have been a grammar teacher for thirty years, but editing is not all about grammar and language. It is about plot inconsistencies. It is about story development. It is about flow and readability. There are so many issues. A professional editor, especially who reads your genre, will help you improve your story manifold. Editors have a sort of magic eye. They see the mistakes that others cannot.
  7. If you are self-publishing, hire a professional cover designer. Heard that adage – Do not judge a book by its cover? Well, bury it. All readers, bar none, judge books by new authors by their covers. It is best if you can give a detailed concept to the artist so that they can make it better with their own inputs. Personally, I sit with my cover artist and brainstorm ideas. All authors must do that.
  8. I suppose you have locked in the title by now. If not, then this is perhaps your chance to come in with a great one. Your title should have some zing to it, some factor that makes anyone in the street think about it twice. I’ve been told my first book’s title has that appeal. Maya’s New Husband. Why new? What happened to the old one? That’s the hook right there. In fact, tell the title to a few friends and gauge their reaction, not their words. Are they intrigued? Or are they just putting you on? Be flexible about changing the title if the need arises.
  9. Now, when you get the first three chapters edited by your editor, you can start sending in the query forms to the literary agents. This is if you are looking for traditional publishing. You will also need a synopsis at this time. Make sure you have a wonderful one written. Look at the synopses of other books, great ones, to see how those authors have done it. You will usually get a list of literary agents on the Internet.
  10. You can even send query letters to traditional publishers directly. However, this is not a method that really works. Very few traditional publishers will respond to you without an agent. And if they do, check out their deals. A traditional publisher who is really convinced in your work will ask for the rest of the manuscript, and if that works out too, will offer you an advance on your royalty.
  11. A note here — if anyone asks you money to publish your book, run away from them as much as you can. Or rather push them away from you as much as you can. There are several sharks swimming in the wide ocean of our literary world. Be particularly wary of any vanity publishers who will ask you money to print and “distribute” your books. Print, they will do, distribute, fat chance. You could probably do a better job getting your book printed at a local printer’s outlet and selling it on the Internet via an online sellers’ platform.
  12. If you are self-publishing, great! You have all the control. And when I say self-publishing, I mean SELF-publishing. Not going to the vanity publishers. When you self-publish, you get the book out yourself. You can do that for both eBooks and paperbacks. For eBooks, you could use a service like Amazon’s Kindle Direct Publishing platform, which has the widest reach by far. For paperback, you could go for any Print On Demand online publisher. And, one more thing — there is a growing demand for mobile publishing nowadays. Books that can be downloaded on apps on smartphones — that’s really growing. Check out these platforms too.

By the time you are done with all this, probably it’s the time for the next year’s NaNoWriMo, and onward for your next publication!

I hope that answers most of the doubts of the person who asked me the question, and of others too. If there are any specific queries, do feel free to contact me on the Comments section here, or on the following:-

Facebook Author Page
Twitter

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Looking to Get Self-Published in India? Here Are Your Options

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In my interaction with several aspiring authors, I have of late come across a sordid truth – not many people know what ‘self-publishing’ really means. As in any field, ignorance leads to being scammed and cheated, and hence this post is a humble attempt to clear the air.

Basically, self-publishing is when the author puts in their own resources to get published, apart from the writing itself. These extra resources can be in terms of:- (1) time (2) marketing efforts (3) money.

The most important element to know about self-publishing is that the author needs to do everything to not only publish the book but also market it and sell it. There is little or no outside support for the actual sales, and even if there are, they are paid services.

So, let us get to the meat of this article and see the three types of self-publishing platforms that are available to Indian authors.

(Note that I am not including the option of getting the books printed at an individual level and sold on sites such as Flipkart, though that option exists as well. I am only talking of organized methods here.)

Self-Publishing on Amazon

This has gotten really huge in recent times and with Amazon’s zest for world domination, that’s hardly a surprise! Publishing on Amazon goes two ways too.

  1. Publishing eBooks on Kindle Direct Publishing: KDP is a service that allows you to upload eBooks with a front cover page and a blurb. You can price your own book. Your book goes live on the Amazon marketplace, and you can choose the territories you want to make your book available in, internationally. To some extent, you can also price your book for each marketplace. The minimum amount for Amazon India is INR 49, and you can get two types of royalties – 35% and 70%. Visit the site for more details.

  2. Publishing paperbacks on CreateSpace: CreateSpace is an Amazon service that allows you to print paperbacks. You submit your manuscript in its finished – edited, formatted, typeset – form and then it goes live on the Amazon marketplace. There are specific size instructions here and the cover page has to be a full cover page, which includes front, back, and spine. Again, you can price your book above a minimum.

    Note that CreateSpace has a huge drawback for India currently. Since their printing offices are located in the US, the books are printed there. So, if an Indian reader orders this book, they might have to spend a huge sum (upward of INR 700 for a 250 page print book). However, if some inside dope is to be believed, CreateSpace is setting up its offices in India soon, maybe by the end of this year. When that happens, it will be a boon to Indian self-published authors as the MRPs will be quite feasible.

Print-on-Demand Publishing

Print-on-Demand (POD) publishing essentially means that the books are printed when the orders are placed. Hence, there is zero initial investment. All the author has to do is to upload a finished – edited, formatted, typeset – manuscript on the site with a full cover page. There are specifications and even templates to do this on the sites, due to which even a complete rookie can master the craft of uploading in under an hour. All you need is patience to read the instructions.

Currently, the most respectable site that provides free POD in India is Pothi. Apart from this, there are paid POD services as well.

Pothi is an award-winning service with an amazing print quality. It also has a royalty calculator, where you can put in the number of pages in your manuscript, and you get an estimated MRP that you can price the book at. With extended paid service options, you can sell your book through Flipkart and other portals as well. Find out more information on the site.

Partridge India claims to be a POD as well, but it does not really fit into the definition here as it requires authors to buy a package first (see vanity below). However, it provides additional services in the package cost also, including editing.

However, there are a few drawbacks as well.

  1. POD can be expensive to the buyer. The reason is that copies are printed singly and not in bulk. This increases costs.

  2. POD attracts a significant shipping fee. Pothi is currently shipping at INR 70 per book, even for the authors themselves.

  3. If you go for their extended services (optional) of marketing, editing, cover page designing, etc., you might find they are not reasonably priced.

Vanity Publishing

Vanity publishing is the elephant in the self-publishing room that no one wants to talk about, but we cannot ignore it either.

This is the kind of publishing where you pay upfront for getting published. These are small publishing houses that provide printing (and sometimes distribution) services, and their business model is simple – “Pay us a sum of money for printing your book, and we will print them for you.” Usually it is a bundle of 200 or 300 books. Essentially, vanity publishing is a “safe” option for the publishers as the entire risk is borne by the authors. Due to this simple aspect, the vanity publishers do not do much (read: anything) in terms of promotion, distribution, or marketing.

At closest count, there are about 35 vanity publishers in India. These are the houses that charge money upfront for publishing.

It is a mystery why authors go for vanity publishing when other options such as POD and Amazon publishing provide almost the same services, and the onus of marketing in any case lies upon the author. Perhaps it is because vanity publishers have a stronger advertising voice on social media due to which new authors, who are usually quite vulnerable and gullible, see the lure in getting vanity published.

On the international publishing scene, vanity publishing is meant only for people who are looking to circulate some writing between family and friends, such as a family member’s memoir or a child’s collection of stories that has some significance for the family and no one else. It is undoubtedly strongly looked down upon in the literary world. People who get published through this mode are not even considered authors. Vanity comes from the word ‘vain’ as in ‘to be vain’. People who go in for this are generally those who wish to see their names in print as soon as they can.

As a closing word, I’d like to say that none of the forms of self-publishing mentioned here have any checks for quality. They print anything and everything that comes their way. They might have editing and proofreading services, but those are optional and paid. Hence, many authors don’t opt for them, which is why we see a lot of slipshod work in the self-publishing arena.

Better knowledge will help this world to improve. Self-publishing is definitely the new mantra of the publishing world but it can only stay if authors inform themselves better and become sticklers for quality.

Antho

The Ugly Truth about Anthologies

AnthoIf you are an author with a Facebook profile, you will be able to picture this quite well.

You log in, you check out your timeline, and viola! You see banners promoting new anthology submissions. And despite the fact that nothing in that banner strikes a chord with you, you enlarge it, read through the details, and even think seriously of making submissions. And then you do!

The popularity of these anthology announcements on Facebook rivals that of vada pav sellers on a Mumbai street. Or dumplings on a Shanghai street. Or burritos on a Mexican street. Okay, you get the picture. But why is that? Do these submissions give you as much value as vada pavs or dumplings or burritos, if not more?

Don’t get me wrong. I am not saying submitting to anthologies is a bad thing. Not at all! I have done so in the past and I am very happy with wherever I have been featured. For me, it has always been a great experience. Maybe that’s because I keep an eye out for the following points, which could help you as well.

  1. Who is going to publish it? If it is a reputable house and is known for good work in the past, go ahead. Pro tip – stay away from all anthologies put up by self-publishing houses.
  2. Who is the author at the helm? Usually anthologies are woven around some famous authors. Does the anthology have a leading author who has some repute?
  3. Who are the other authors with you? You will not know this in advance, of course, but you might get an idea as to who your potential co-authors would be. You don’t want to be saddled with a coterie of middling authors that will only pull down your name.
  4. Will you have to pay anything? If the answer to this is even remotely a ‘yes’, you can safely delete the post from your timeline. No anthology that advertises itself solely on Facebook – I repeat, no anthology that advertises solely on Facebook – is worth paying for.
  5. Who is the selection panel? The selection panel should be a group of respectable names in the world of literature, bestselling or not. They should be known for their own writing. They should have good reviews themselves. Some anthologies will keep their judges secret, and that’s okay too, but the names is usually made public when the book is published. So check back issues of the anthology and see who they had on board at that time.
  6. How will the anthology be promoted? Some of these self-publishing houses who announce these anthologies cannot even sell Viagra at discount to a horny old man. Or they won’t sell. Whichever. And they won’t promote. Here’s the big secret – self-pubbing houses announce anthologies only because they want to piggyback on the authors’ names to promote their own name. So if you think the anthology is doing you any good, well, it’s a big NO. The publishers want you to promote their brand via the anthology.
  7. What royalties will you get? Be very careful here. Some of these points can be very misleading. Royalties can take various forms, and they need not be monetary. In fact, they are hardly ever monetary compensation for anthologies, which is fine. If it is a reputable brand and your name will be exposed to a new set of people, that’s good payback in itself. But if the anthology tells you to buy copies of the book, stay away. They should, in fact, send you complimentary copies.

I must make one more point here – if you are participating in an anthology, money should be the last thing on your mind. Even the people who put anthologies together do not think in monetary terms. A genuine anthology is all about giving a platform for authors to come together.

Now, if it’s an anthology from a new publishing house, we ought to look for the following things:-

  1. How earnest are the people in accepting their submissions?
  2. How well-defined are their themes, guidelines, submission requirements, etc.?
  3. Do they have a fixed timeline for all the processes involved?
  4. Who are the other people submitting?
  5. Are the promotions happening intelligently?
  6. Which is the publishing house?
  7. What is the reputation of the organizers in the literary world?

And, most importantly:

What will YOU get by submitting to this anthology? Will it be a good addition to your profile, provided you are selected?

Disclaimer – I do not wish to project this as an advice column. It is a list of my observations and experiences. Read them, and go make your own observations!