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Authors on Social Media — 5 Ways Authors Antagonize Social Media

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All right, so at the very outset, I will say that this is going to be an unpopular post. It is possible that a bunch of you might unfollow me after reading this one, but let me put up a disclaimer. Whatever I say in here is out of my observations and interactions on social media. Which means to say, even I have committed the mistakes mentioned below, but then there’s always a time to learn and live on, right?

Now after seeing authors on social media for several years now, I have observed this: The majority of authors use social media for one of two things (and usually just these two things, which is the sadder part) — (1) propaganda of their works (2) ranting about their pet peeves. Look at your author friends on social media. Chances are that a high percentage of them come alive on those posts only when they have to do one of these two things, otherwise they are totally absent. And if you are an author who is doing things apart from these—constructive things—then we need to doff our hats at you.

Why is this bad, though? Let me enlist it in a way that it becomes more readable.

Most authors will excessively promote their works.

Definitely not recommended. Typically, one post when your book is launched and then follow-up posts whenever your book makes some kind of achievement is good enough. If authors are going to make a post every day about their book in the hope that someone will like, comment, or share, let alone buy the product, then that’s a horrible way to go about promotion. The best case scenario here is that your followers are going to be frustrated looking at your excessive post with the same cover page (of course you cannot change that, can you?) and they are simply going to scroll down. The worst case is that they will unfollow you, and there it goes—a prime example of counter-marketing.

We authors have to trust that our readers have good recall value. They know that we have authored that particular book. It is not necessary to post the cover page at every given opportunity. Sadly, most authors fail to understand the point that book marketing has to be classy.

Most authors will form close-knit communities and stay only in those.

Oh, this does happen. Hang around a bit on social media in writers’ groups and you will see how authors tend to band with each other. They won’t label themselves or name themselves, but they will definitely flock together. You will see them liking, commenting on, and sharing each other’s posts but no other posts at all. You will see them coming out in support of one of them to the point of undeserved raving. You will also see them blindly praising each other’s books in the hope (sometimes there are also unwritten rules) that their book will also be praised by the others when the time comes.

I am not saying that this is totally a bad thing. Author groups help. I have been a part of many too. All I am saying is that the authors who are part of one group should not stay in only that group but also be friendly towards other groups. Why make it so obvious that you are trying hard to promote only yourself and others in your community? Does it harm you in any way to respond to posts from other people too, especially if they are saying the same thing that your community is saying?

A time comes when these communities go out of control or simply get defunct. They all will. Law of nature. And when they do, it will become difficult for the authors concerned because a lot of things will need to be done from scratch, like rebuilding visibility outside the community.

Most authors will rant about their pet peeves (and nothing else).

Some of the best authors we know, some of the biggest award-winners in the literary world, have been reduced to being whiners. And that is sad. It is pathetic to see post after post from good authors speaking only of one thing, and that is the thing that they hate. It might be a valid issue that there are voicing against, but if the author goes on and on about that in one post after another, it becomes oh-so-annoying.

Trust me, even the best of authors lose respect that way. This is one of the surest ways to turn those likes into dislikes. Our readers might be aligned to our thoughts, but when we go on a continuous tirade, even they will be put off.

We cannot help it though, because most of us are hard-headed opinionated pricks whom we ourselves would not like to get into a conversation with. But that’s the sad part. We authors have the potential to change the thinking of society and veer it towards a positive direction. We have to do it constructively though, and not by coming across as a ranting crybaby. Our words are effective. Our poems can stir hearts. Those are the tools we must employ, maximum impact in minimal words.

Most authors will abuse the freedom social media gives them.

A lot of us are culpable of this, including yours truly. We go on and post just about anything on social media. Just because we have this freedom of sharing things at the click of a button, we go ahead and do just that. We don’t stop to think anymore. That post might be badly-constructed, show us in a poor light, be detrimental to our reputation, but we hardly stop to think about it and go trigger-happy with the posting.

Just think about it. Orwell, Dickens, Hemingway, and all—how would it have been if they had social media at their time? How would it have been if they posted their half-baked poems and prose too? Would their readers have followed them with the same conviction, and would these authors have been classics today? I am sure Shakespeare would have ranted on social media and so also Dickens. That would have blunted their edge. The reason why our classic authors and poets are classics today is because they were selective about the things they put out in public. Not to say they had a choice otherwise, but they were selective anyway. We saw only the best of them, and that’s why we revere them.

Most authors won’t “talk with” people but “talk to” them.

There’s a difference between ‘talking to’ and ‘talking with’ someone. When you talk to someone, you are only telling them your thoughts and not listening to them. In short, you are being condescending. People comment on your posts, but many of us are not listening to them. We are only telling them what we feel, over and over again, and not even entertaining the thought that they might be reasonable too.

The thing we need to do is ‘talk with’ our people on social media. Social media is all about interaction. When someone comments, we have to talk with them, maybe take the conversation ahead, and sometimes when there’s reason, begin to see things a different way. Well, that’s what I believe social media is—a place of learning. It is not just a place of teaching as a lot of us authors tend to believe it is.

And this applies to posts from other people too. Sadly, very few authors will comment on other people’s posts. Maybe there’s always this unspoken elitist feeling going on. But then that’s again ‘talking to’, right? It is a very selfish way to use social media if you only expect people to interact on your posts and you turn a blind eye to theirs even if they have written something that makes sense.

So, that’s it. These were some things I really wanted to say since a long time, and I did it now. Feels better, because now I can also “listen to” the mistakes I have been making and can improve on them.

Ciao!

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Writers, Don’t Let Yourselves Be Shortchanged

 

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This is an open letter to all my author and writer friends, all over the world, who hope that one day their writings might be translated into film. Consider it as an outpouring of feelings rather than a letter. For, someone really had to say what I am saying here.

In all my days as a writer, and now as a short film producer as well, I have seen no part of the creative crew of the film being shortchanged as much as the writers are. This is thoroughly appalling because the writer is the person where the entire thing starts from.

Think about the biggest, hugest, most classic film that you know. Probably having the largest star-cast and a really, really big name director. One that has won several awards all over the world. Now, that film, that spectacle of splendor, would not have happened if a writer would not have bled his or her eyes out to create the story in the first place. It is the writer – the slightly potbellied crouched being on the computer desk, the one with the disheveled hair, the one whom family and friends look upon with strange curiosity, the one who’s probably addicted to coffee and a few undesirable things, the social introvert, the shy, soft-spoken person who is only too happy to take backstage everywhere – who has given birth to this grand spectacle.

Most grand creations of art, regardless of how much finance it requires to make or how much revenue it earns at the end of the day, begins in a small café or a similar place somewhere, where a writer turns up coyly, probably worrying about how to pay for an extra cappuccino if it is ordered, and has a “meeting” with someone better-placed than he or she is. Of course, some writers hit the bulls-eye, and then work comes chasing them, but these are few and far in between. And even then, these successful writers will never claim that they have received their fair due in the industry that’s all about translating their creations on screen.

If you think genius has a better standing in this industry, think twice. Most of the greatest writers of our times have died in penury, some of them without any relations or even friends to attend their last rites. Yes, some of them won awards posthumously, but in a few cases there was no one to claim those awards. I personally saw this at a writers’ conclave last month, where one of the greatest Hindi cinema’s songwriters was given a posthumous award, where there was no one to collect it for him.

So, why am I ranting here? My rant is targeted at the mechanics of an industry that places its actors and probably directors at a much higher pedestal than the writers who give these people the grist to work with. Most of the actors I have personally met vouch for the fact that the actor’s job is the easiest on a film set. And yet, it is always the actors who walk away with all glory. Even with beautifully written songs in Hindi cinema, not many people except film-buffs will really know who wrote the songs. The songs are always identified, even on music channels, by the name of the actors. So, we have classifications as ‘Rajesh Khanna songs’ and ‘Dev Anand songs’ and ‘Shah Rukh Khan songs’, but ask people who wrote these songs, and you will be shocked. Probably you don’t know it yourself.

Why should writers be shortchanged in this manner? Why should they not get their due compensation and credit? When they are the creators of the art, why are they relegated to the backseat, or sometimes even shoved in the bonnet? Why can’t there be a concept of show-runners here as has already become popular in the West?

It is sadly because, like the fabled Shekhchilli, the writers are cutting the very branches of the tree that they are sitting on. Every time a writer gets shortchanged, he or she paves the way for a hundred more writers to be shortchanged. It gives production houses the gumption to try their nefarious tricks with other writers as well.

As a writer, I had a sad and deplorable experience when someone told me they could buy “stock” writers off social media groups for their content needs. Are writers so dispensable? A media house that can invest 10 million rupees on a show balks when it has to pay a fraction of that to the writer based on whose work it will be created?

Disgusting!

Writers, stand up for your rights. Be cognizant of how the Western world respects its writers. There’s no fairness there as well, but the situation is a tad bit better than it is here. In our starry-eyed film industry, writers are given the weakest spot. Their ideas are copied spinelessly and when they protest their faces are blackened. It only happens because we are spineless ourselves.

Ask for your credits. Make sure you are mentioned the way you want to be. Ask for adequate monetary compensation – whether it is in terms of royalties, upfront payment, or profit-sharing. Understand which model suits you best. Be part of film writing associations because they will work for you when needed. And, most importantly, do not let anyone take you for a ride. Everyone on the film set has work because you wrote it, even the production houses who might put money into your vision. They will only do it because they have faith in it.

Let us stand up and claim our dignity in this industry.

 

Overthinking

How to Write a Review that Engages Readers

– Jean Spraker

Jean Spraker is an American expat living in Seoul. But, some say her soul is truly Indian. She is currently writing her first novel inspired by her life in India. She blogs at jeanspraker.com.

This guest post from Jean Spraker is a part of the Review Ramblings series.

When Neil approached me to guest blog about writing reviews, I said, “Sure! I’d be happy to do it!” I had recently written a review for Ravi Subramanian’s The Bestseller She Wrote that’s received high praise—even from Subramanian himself. That makes me an expert now, right?

That about sums it up, don’t you think?

About 30 seconds after I agreed to write this post, I thought, “Ah crap! How DO I write a review? What makes my reviews work? Why was the response so positive for this review? What makes it different? What tips can I give potential reviewers? Have I completely lost my mind agreeing to a guest blog two days before #NaNoWriMo? Why do I think so damn much?”

Whew!

Clearly, my head is a dangerous place. Someone should really post a sign.

Overthinking

The truth is that I don’t have a secret sauce for reviews. If I did, I’d bottle it and sell it. A writer has to earn a living somehow. Clearly, royalties aren’t the pot of gold at the end of the writing (or reading) rainbow.

So, what tips can I offer?

Enjoy reading the book

It sounds simple, but it isn’t. Too often, I see readers taking a snobbish approach to the books they review. Judging the author for every typo and plot hole. Look. I’m not saying we shouldn’t judge those things. Typos on every page and plot holes the size of Maharashtra or Minnesota annoy readers. Reviewers should assess those issues. But, do it with respect. I get it. Everyone plays armchair quarterback. “I could have written Half Girlfriend or Fifty Shades. That book sucked,” you say. But, you know what? You didn’t write either book. That book is someone’s baby just like that half-finished manuscript you’ve been working on for the last year and a half is yours. Would you kill someone else’s baby? No. Of course not. So, why are you wasting my time writing the most intensely evil and useless review of a book you hate? I spotted your hater tendencies in the second sentence and moved on. I wrote you off. And so should the readers and the author, quite frankly. I have only written a 1 star review once, for a book that I was given as a review copy. It was bad, and I felt obligated to review it honestly. Otherwise, I would not have made it past page 10. But, truthfully, these bad reviews often serve little purpose to the reader. There’s always someone to disagree.

Balance the good and the bad

On the flip side of the hater review, we have the lover review. The person who has nothing but rainbows and stardust to blow up the writer’s butt. That person who is either related to or connected directly to the writer. Or who just loves every book, no matter how bloody awful. Even the best books have flaws. Take Midnight’s Children. The Booker of Bookers. A book so good that it won a Booker twice! Once by popular vote. Seriously. If you haven’t read it, you should. It will change your life and challenge everything you thought you knew that you didn’t actually know until you knew it.
But, even Midnight’s Children has flaws. Maybe you thought the mango pickle factory setting was cliché. Maybe you didn’t get that whole weird shower story. Maybe you just don’t like how Rushdie punctuated the book. Whatever it is, that criticism should be there, too. Not just the praise. Not just the “You’re so totally awesome!” Always give at least one positive and one negative aspect to the book. My reviews are structured with the good, the bad, and the verdict sections to maintain that balance.

Give the reader a sense of the book, but dont give anything away

If you are reviewing a thriller or mystery, please, for the love of God, don’t tell us who did it or what happens in the end. Yes, I know this might make your review vague, but the readers will thank you for not ruining the book—and so will the writer. Trust me.

Be honest with your bias

I was so heavily involved in the final stages of Ketan Bhagat’s Child/God that I am in the acknowledgements. I am constitutionally incapable of speaking even one negative thing about the book publicly. Which is why when I reviewed the book, I admitted that and instead gave you a straight-up sales pitch. I recently saw the editor for a book review said book on his blog. No mention was made of his role in the book. And, to me, that’s wrong. As long as he’s up front about it, his review holds water. But, the minute you find out he helped shape the book, but didn’t tell you, his opinion holds less value, doesn’t it?

Know thyself

Say you’re a blogger, and someone asks you to review a romance novel. No really. Say it. “I’m a blogger and someone asked me to review a romance novel. Are they nuts! I don’t read romance!” you bellow. That’s a problem. Are you going to do the book or yourself justice? Probably not. This is the best time to refer the person to another blogger in line with their interests.

Provide context

I learned this trick in grad school. As part of my coursework and prep for my prelims, I regularly wrote book reviews. I always had to place the book within its historiographic context. Always. If the writer was a Marxist, that was contextualized within a discussion about class. Sometimes context is simple. Maybe it’s saying that Ravi Subramanian normally writes thrillers. Maybe it’s explaining the marketing mayhem around Half Girlfriend. Relating a book to other books can really help the reader understand if he or she would enjoy the book.

Follow the 3 Es of Ashwin Sanghi

Entertain. Educate. Enlighten.

I learned more about writing for an audience in those three words than I have learned in seven years as a tech editor sitting in branding meetings. Sanghi is absolutely right. Keeping your audience entertained is the key to success. Let’s face it. Attention spans are shrinking, but book inventories are expanding. If you want to capture an audience, you must entertain. Sorry. Your review has to be more entertaining than Candy Crush. Truth hurts. I know.

Incorporate multimedia

When possible, I try to bring in multimedia. As a former Creative Services Manager, I know how important it is to connect to users on multiple levels. Sometimes, that’s as simple as bringing in the Scion of Ikshvaku’s book trailer; sometimes it’s bringing in tweets or completely unrelated YouTube videos.

Multimedia is Awesome! Isn’t it? You get the idea. If you have a blog, you should be able to figure out how to copy and paste the YouTube embed code into your site. WordPress has made this easier with the Add Media button. Just copy and paste the YouTube link, and presto! Video!

Be a fangirl or fanboy

It’s OK. Really. Pay attention to the buzz around the book. Follow the author on Twitter or Facebook. See what he or she says about the upcoming release. Use that in the review to give the reader a better sense for the flavor of the book. It’s OK to go gaga over a book as long as you balance that with real criticism and don’t lose sight of the fact that your review is meant to help a reader decide whether to buy the book. Or not.

Write well

Proof those reviews, people! Run spell check, damn it! A poorly written 5 star review could do more damage than a well written 1 star review. No joke. No matter how insightful your commentary, if your review contains tons of typos, no one will pay attention to it. Not the potential reader and certainly not the author. I recently admitted on Facebook that I don’t read Amazon reviews. Poor writing is the biggest reason why.

Now that you know how to write a great review, you can do the minion dance! Gangnam style! So long from Seoul!

Nayee Duniya (Oct 4, 2015)

Press Mentions

Press Mention in Nayee Duniya (Indore Edition) dated October 4, 2015:

This was a brief coverage of the Rising Litera event titled The Writers Perspectives which was conducted at Cafe Terazza in Indore on October 2-3, 2015.

Nayee Duniya (Oct 4, 2015)

Press Mention in Dainik Bhaskar (Indore Edition) dated October 6, 2015:

This was a brief coverage of the Rising Litera event titled The Writers Perspectives which was conducted at Cafe Terazza in Indore on October 2-3, 2015.

Dainik Bhaskar Oct 6, 2015